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Dr Elizabeth Miller is a Lecturer in Media Studies and Digital Ethics and PGR Lead in the School of History, Law and Social Sciences. From 2021 to 2024, she was a Lecturer in Film and Media and Pastoral Care Lead for Film, Media and Journalism students in the School of Arts, Culture and Language. Prior to joining Bangor, she taught at Kingâs College London, where she also received her PhD in Film Studies.Ìę
Her research interests lie within feminist and sociological approaches to both French cinema and sci-fi, with publications in French Screen Studies, Modern and Contemporary France, Studies in European Cinema and Foundation: The International Review of Science Fiction. She is currently co-editing a book - âMore human than humanâ: The Cultural Heritage of Blade Runner - for Liverpool UP with Nathan Abrams (Îá°źłÔčÏ) and Christopher L. RobinsonÌę (Ăcole Polytechnique IP-Paris).
She co-organised the Blade Runner @40 (June 2022), Paul Verhoeven @85 (September 2023) and Terminator @40 (June 2024) conferences held at Îá°źłÔčÏ, as well as the Women in the Wake of May 68 (May 2018) conference held at Kingâs College London.
She currently teaches/convenes the following modules:
- UXS-1000 Issues in Media, Journalism and Politics
- UXS-2046: Media, Politics and Society
- UXS-2100/UXS-3100: Digital Journalism and Society
- UXS-2803/UXS-3083: AI Ethics
She previously taught/convened the following modules:
- UXS-1021: Mass Culture: From the Printing Press to TikTok
- UXS-1063: Film History
- UXS-2064: Film TheoryÌę
- UXS-2099: Research Skills and Methods
- UXS-2053/UXS-3053: Film Industry Development: From Global to LocalÌę
- UXS-2062/UXS-3062 Film Distribution and MarketingÌę
- UXS-2050/UXS-3050: Race and Gender
- UXB-3901: Creative Practice Dissertation
- UXB-3900: Research Dissertation
- UXS-4720: Film Research Project
She has also contributed to the following modules as a Guest Lecturer or Seminar Leader:
- UXS-2025/UXS-3025: Stanley Kubrick: AuteurÌę
- UXS-4050: Creative Industries
- UXS-4101: Critical Approaches to Film
- QXE-4031: Post-Medieval Arthur
Cymwysterau
- Profesiynol: Fellowship (HEA)
Advance HE, 2024 - Profesiynol: Associate Fellow (HEA)
Advance HE, 2020 - PhD: The Modern Woman in âLongâ 1960s French Cinema: Beyond the New Wave
King's College London, - MA: Film Curating
London Film School and Birkbeck, University of London, - BA: Film and Media Studies; Psychology
Washington University in St Louis,
Cyhoeddiadau
2024
- E-gyhoeddi cyn argraffu
Miller, E., 8 Ion 2024, (E-gyhoeddi cyn argraffu) Yn: French Screen Studies. 6 t.
Allbwn ymchwil: Cyfraniad at gyfnodolyn âș Adolygiad Llyfr/Ffilm/Erthygl
2023
- E-gyhoeddi cyn argraffu
Hallet, M. & Miller, E., 23 Rhag 2023, (E-gyhoeddi cyn argraffu) Yn: Modern and Contemporary France. 17 t.
Allbwn ymchwil: Cyfraniad at gyfnodolyn âș Erthygl âș adolygiad gan gymheiriaid
2022
- Cyhoeddwyd
Miller, E., 2022, Yn: Foundation: The International Review of Science Fiction. 143, 51.3, t. 83-86
Allbwn ymchwil: Cyfraniad at gyfnodolyn âș Erthygl adolygu
2020
- Cyhoeddwyd
Miller, E., 6 Chwef 2020, Yn: Studies in French Cinema. 20, 2, t. 140-146 6 t.
Allbwn ymchwil: Cyfraniad at gyfnodolyn âș Erthygl adolygu
2019
- Cyhoeddwyd
Miller, E., 28 Mai 2019, Yn: Studies in European Cinema. 19, 1, t. 85-87 3 t.
Allbwn ymchwil: Cyfraniad at gyfnodolyn âș Erthygl adolygu
Gweithgareddau
2023
Paul Verhoeven (b. 1938) has left an indelible mark on popular culture. His films marry a European arthouse sensibility with the US blockbuster but in a wickedly satirical way. But this does not mean his films are not open to criticism.
His American dystopic trilogy â RoboCop (1987), Total Recall (1990) and Starship Troopers (1997) â provided dark visions of futuristic metropoles that continues to resonate to this day, touching on capitalism, robotics, biopolitics, posthumanism, urban planning, artificial intelligence, transhumanism and climate change, while female-led dramas, such as Basic Instinct (1992), Showgirls (1995), Black Book (2006), Elle (2016) and Benedetta (2021), remain controversial for their overt eroticism, sexual violence and representation of lesbianism.
To critically explore the origins and legacies of Verhoevenâs body of work, this conference proposes to bring together scholars from diverse disciplinary backgrounds to explore Paul Verhoevenâs output, debate its legacy and consider its position within visual culture including specialists from fields as diverse as literary and cinematographic studies; the history of art, design, fashion and architecture; musicology; philosophy; political sciences; computer science and robotics; urban and ecological studies; and feminist, queer and sexuality studies.
7 Medi 2023 â 8 Medi 2023
Cysylltau:
Co-rganiser of international panel titled: French Cinema in the Wake of the Womenâs Liberation Front Stars, Directors, Collectives
Paper title: The Popular Feminism of Annie Girardot, Franceâs Highest-Paid Actress from 1968 to 1978
2023 â
Gweithgaredd: Cymryd rhan mewn cynhadledd Academaidd (Siaradwr)
2022
Blade Runner @ 40: Origins and Legacies
6 Meh 2022 â 7 Meh 2022
Cysylltau:
Delivered paper titled "Reclaiming Nadine Trintignantâs Place in French Womenâs Filmmaking"
2022 â
Gweithgaredd: Cymryd rhan mewn cynhadledd Academaidd (Siaradwr)
2021
20 Hyd 2021
Gweithgaredd: Sgwrs wadd (Siaradwr)Delivered paper titled: Working Women as Working Girls in Long 1960s French Cinema
2021 â
Gweithgaredd: Cymryd rhan mewn cynhadledd Academaidd (Siaradwr)Presented paper titled: The Working Woman in âLongâ 1960s French Cinema
2021 â
Gweithgaredd: Cymryd rhan mewn cynhadledd Academaidd (Siaradwr)Delivered paper titled: âFrench Cinemaâs New Erotic Woman: 1964-1973"
2021 â
Gweithgaredd: Cymryd rhan mewn cynhadledd Academaidd (Siaradwr)Delivered paper titled: From Working Girls to Working Women: Female Employment in Long 1960s French Cinema
2021 â
Gweithgaredd: Cymryd rhan mewn cynhadledd Academaidd (Siaradwr)
2019
Presented paper titled: The âReplacement Motherâ of 1960s French Cinema: A Fragmented Idealisation of Motherhood
2019 â
Gweithgaredd: Cymryd rhan mewn cynhadledd Academaidd (Siaradwr)Delivered paper titled: Franceâs Sexual Revolution and the Incestuous Mother Figure
2019 â
Gweithgaredd: Cymryd rhan mewn cynhadledd Academaidd (Siaradwr)Delivered paper titled: Abandoning Mothers of the French New Wave
2019 â
Gweithgaredd: Cymryd rhan mewn cynhadledd Academaidd (Siaradwr)Delivered paper titled: The Pregnancy-Seeking âModernâ Heroine of âLongâ 1960s French Auteur Cinema
2019 â
Gweithgaredd: Cymryd rhan mewn cynhadledd Academaidd (Siaradwr)
2018
Presented paper titled: 'Erotissimo is the way of today:â post-May 68 modernity in GĂ©rard PirĂšsâ Erotissimo (1969)
18 Mai 2018
Gweithgaredd: Cymryd rhan mewn cynhadledd Academaidd (Siaradwr)An interdisciplinary conference which brought together more than 70 people to look at the impact of May 68 on womenâs lives and representation, including those on female artists, writers, directors, philosophers, and stars, as well as the representation of women in art, literature and popular, auteur and militant cinema.
Mai 2018
Gweithgaredd: Cymryd rhan mewn cynhadledd Academaidd (Trefnydd)Presented paper titled: The Radical Stances Ă Sophie: Female Modernity in the Wake of May 68
2018 â
Gweithgaredd: Cymryd rhan mewn cynhadledd Academaidd (Siaradwr)Presented paper titled: Deeply Misogynistic or a Feminist Text?: Unravelling the meaning of Les Feux de la chandeleur (Serge Kober, 1972)
2018 â
Gweithgaredd: Cymryd rhan mewn cynhadledd Academaidd (Siaradwr)